Marika Peura is a choreographer, dancer and performer based in Helsinki, Finland. She works multidisciplinary in the fields of dance & performance. Peura is interested in the emotional, poetic and political nature that unfolds from the experientiality of the body. Her ongoing practice is centered around the intimacy of the dancing body; dwelling in the emotional, sensual and social energies in the intersection of club/rave dance & culture and contemporary choreography.
Peuras’ dance background is in street & club dance culture; freestyle hip hop being closest to her heart. This is reflected in her artistic practice and the relation to bodily movement. She did her institutional dance and choreography studies in Uniarts Helsinki, graduating from the Choreography MA program in 2020, and BA in contemporary dance in 2017. The BA studies included an Erasmus year at HZT's Dance, Context, Choreography program.
In November 2023 Peura and her working partner Kaisa Nieminen were rewarded with a prize ‘Future of Culture’ by the Finnish Culture Gala. Peuras’ recent works as a choreographer include collaborations down below things shudder (2023), and then they left (2021), Guess What? Guess what! (2022 & 2021), Shall we have a drink before I start to cry (2020), Philia (2019) and solo work Sirkka Pukoilija (2017). She has worked as a dancer in works by Maija Hirvanen (FI), Joona Halonen (FI), Petri Kekoni (FI), Janina Rajakangas (FI), Reija Wäre (FI), Samir Akika (DZA/FR), Branch Nebula (AUS) and Wang / Ramirez (DE/FR).
Amalgam Melee delves into the emotional and expressive body; artist’s inner contradictions in relation to cultural heritage, brownness, whiteness, hierarchies of power and violence.
Amalgam Melee, the new stage work by choreographer Marika Peura and the working group, sets off from the artist’s inner contradictions in relation to cultural heritage, brownness, whiteness, hierarchies of power and violence in the context of Finnish society. How these frictions wield with a double-edge effect; exploring the body where the mechanisms of white supremacy are present both as the one exercising power and the one subjected to it.
"Amalgam melee" refers to a chaotic or disorderly situation where various elements or entities have merged into a single, mixed-up mass in a disorganized manner. "Amalgam" implies a mixture or combination, while "melee" suggests a confused or disorderly situation involving struggle or conflict. The work delves into the emotional and expressive body; within the conflicts of this ‘third space’, as the means and potential to reach a political sense of self.